Reading Portfolio

Using Google Drive, you will collect, revise, and present work that shows your progress as a reader this semester.

There are three possible grades to earn on your portfolio, and each one depends on the number of tasks you complete and the level of effort you exert:
  • The "C" portfolio (375 points)
  • The "B" portfolio (425 points)
  • The "A" portfolio (475 points)

Use this Table of Contents template to help me navigate your materials.

The "C" Portfolio:

If the portfolio contains your cover letter, your best quote response, one revised quote response, one revision assessment, and three source commentaries on a focused research question, you will receive a "C" on the portfolio.

The "B" Portfolio:

If the portfolio contains your cover letter, your best quote response, two revised quote responses, two revision assessments, five source commentaries on a focused research question, and a polished and professional conference proposal, you will receive a "B" on the portfolio.

The "A" Portfolio:

If the portfolio contains your cover letter, your best quote response, three revised quote responses, three revision assessments, seven source commentaries on a focused research question, a polished and professional conference proposal, and evidence of significant progress on your "conference presentation," you will receive an "A" on the portfolio.

The Analytical Cover Letter:
  • This cover letter will request my evaluation of your work in a professional and formal way, just as you would ask a potential employer to look at an application.
  • In the first paragraph, introduce your portfolio by discussing (1) your general impression of your achievement this semester, (2) what I will find in your portfolio, and (3) what grade you plan for the portfolio to earn.
  • In the last paragraph, offer some general comments about your experience in the course and offer thanks for the opportunity to work on this project.
  • The paragraphs between should explain your achievement more specifically on particular dimensions of the course; discussion, quote responses, and source commentaries. Explain your improvement in discussion, your revision choices for the quote responses, and how your source commentaries reflect your reading fitness. Dedicate one paragraph to each dimension.
  • One more paragraph before the last should analyze yourself as a literary reader. Discuss some achievements, some ongoing problems with your reading, and some continuing goals you have set for yourself as a reader, based on your experience this semester. Use the works we've read for examples.
  • Your cover letter should be single-spaced, 12 pt. Times New Roman, 1" margins and follow the format of a professional business letter. The letter should fill at least two complete pages in Google Drive: The date of submission on the first line and your name, following "Sincerely," on the last.
  • Find template here.

Revision Assessments: 300-word reflections on the revisions you make to your quote responses before including them in your portfolio. The emphasis should be on how your revisions reflect your improvement as a reader, not only in the sophistication of your ideas but also in your management of detail. You'll write one assessment for each revised quote response in your portfolio.

Source Commentaries:
  • Before you write any commentaries, you first have to select some sources. You can use GIL and Galileo databases to identify potential sources, but you will need an idea to guide your final selection. Think of a research question that represents an interest you have in the novels we've read. You do not have to focus on one particular novel or author, but your idea must be specific, especially if you do plan to explore a connection between different authors. The question you raise will be the focal point of your search for sources.
  • You'll know a source is worth writing a commentary on if it offers insight that can help an intelligent person address your question. The connection does not have to be direct--you should not look for answers to your question. Rather, stay open to connections that are indirect, insightful. Then you can use your intelligence to make the connection to your question. The goal is not to answer your question but to identify important factors in the discussion.
  • Each commentary will start with a citation of the source (MLA style), followed by exactly two equal-length paragraphs that total at least 300 words.
    1. The first paragraph should identify an idea in the source (some point the author makes) that pertains to your research question. Explain this idea as the author presents it.
    2. The second paragraph should explain the connection between this idea and your research question. How does the author's idea shed light on your question, without actually answering it? What does the idea bring to a discussion of your question.
  • Accompanying your commentaries should be an explanation of your research question. How did you arrive at it, and why is it important?

Conference proposal: Whether you actually plan to submit a project to a conference for real, you will need to complete an application that proposes your idea for a presentation at GCHC 2014. This process involves writing an abstract, a one to two-page explanation of your topic and its relevance. If you are doing the "A" portfolio, you actually need to start preparing the presentation itself and make significant progress on it. But even if you only do the proposal, I encourage you to submit it for real--to do your presentation at the conference, you do not have to be finished with it this semester. You can work on it through December and January, and I will continue giving your advice and support.

Here is a basic proposal template.

Sample Proposals: Student | Faculty

First Day

Welcome to your English 2132H course! I hope this semester will be both fun and challenging for you! Your professor's name is Dr. Matthew Horton (that's me!), but you can call him Dr. H. I have high hopes that this semester will help you improve your skills as a college-level reader and writer.

Click on these icons and see what you can do! This course is about reading great literature, sure, but it is also about using technology to help you discover new possibilities. So some of your assignments will be PAPERLESS! This might be a little scary for some of you, but I assure you, the skills you'll learn will be just as important as effective reading and writing!



Also, go ahead and look through some of the most important resources on this course website:

Read the syllabus
Check the agenda
Using Google Drive

Additional resources are available by clicking the tabs across the top and various links in the right-hand margin. As much as you can, familiarize yourself with this course website. My contact info is in the right-hand margin at well, towards the top. Also, see the Facebook link? Visit our course page and "like" it!

Syllabus

Your Goals for this Course
  • Learn methods for measuring the value of the American novel, especially in the 20th century. Learn about the intersection between appreciation, evaluation, and enjoyment.
  • Explore how characters and situations in literature help us answer important questions:
    • How do we define human excellence?
    • In what ways do the standards of excellence shift and change?
    • What sorts of conflict between values give rise to ethical crisis?
  • For each work of literature we study, ask the following questions:
    • What sorts of choices do characters or narrators make?
    • What sorts of values do characters or narrators defend?
    • What motivates them to make those choices or hold those beliefs?
    • Where does their confidence come from?
  • Ask questions about how literature explores conflict and crisis.
  • Perceive how ethical complexity makes literature compelling and memorable.
  • Explore how ethical themes in literature can help us know our own ethics.
  • Look beyond the simple moral message that literature appears to teach--morals are not ethics, though ethical thinking helps us fashion morals.
  • Contemplate the meaning of the following concept: responsible reading.
  • Demonstrate the skills above in short writing assignments.
  • Learn to use various literary terms to discuss the assigned works.
  • Take reading notes to records the details of your experience reading.

Calendar

Reading Notes for assigned readings are due at the beginning of class on their deadline days. Please do your quote responses in your Google Drive. Click on each agenda item to read details about the assignment, and please be aware that printing this calendar will hide the details for each item.

Readings

Required Readings

Almost all of the readings this semester will come from our purchased books. Check the calendar for page numbers and to know when we are reading each work. Additional reading assignments will be provided as needed. All reading assignments will be the basis for reading notes, quote responses, and engaging class discussions.

Featured authors:

Assignments

Responsible Reading

Some of you will be familiar and concerned with the following question:

How should I live my life?

If this question matters to you, then you can consider yourself, on some level, a responsible person. You are responsive to the world around you, the people you interact with, the influence you have on your environment, etc.

To be a responsible reader, you have to adopt a similar mindset about the language and ideas of an artist of words. You will ask a similar question:

How should I read this work?

If this question matters to you, then you will grow into being a responsible reader, and a better reader. If you are responsive to the world of the work, the characters who reside there, the influence of your interpretation on the way you judge the work, etc., then you might find that reading is, after all, extremely intense. If you are one of those people who claim to be "bad at reading," reconsider how your own attitude about reading might be getting in the way of a richer experience. You might only have a dismissive mindset about reading, and that is easy to fix.